finished
picture in
oils;
whilst the
subjective
style is
not much
more
certain in
its
working
than spots
on the
wall,
which look
like
figures
only to
one whose
phantasy
has been
accidentally
aroused by
them;
other
people see
nothing
but spots
and blurs.
The
difference
in
question
applies to
literary
method as
a whole;
but it is
often
established
also in
particular
instances.
For
example,
in a
recently
published
5Translator’s
Note. — In
